Our projects

Our Projects 

All of our work centres on the creation of original music, with an emphasis on live performance. Our three main programmes are Music in Prisons, Making Tracks and Sounding Out. We also often collaborate for Special Projects  such as the Lullaby Project with artists and organisation including contemporary composer Mark-Anthony Turnage, the Royal Philharmonic Orchestra, photographer Lizzie Coombes, Synergy Theatre Project, Rideout, Music Jelly, the Chicago Symphony Orchestra, to name but a few!

A focus on quality
Our recipe for success is based on many things: a strong and supportive Trustee base; the right level of funding; an effective project formula; creative ideas; and bags of enthusiasm. Undoubtedly though, the key ingredient is the quality of the projects themselves – measured in terms of the skills of the project leaders, the range and condition of the instruments used to create the music, the level of performance, and the relationships we develop with the participants and project partners (such as prison staff and prisons).

“I was fascinated to see how engaged the men were. The environment encourages creativity and engages them in a way they wouldn’t normally be. I saw them just walk into a space that was open to everything and anything,” Prison education staff member

The Project Team
Delivering a successful project requires significant expertise and we are incredibly lucky to have a fantastic and stable cohort of project leaders in place; most of whom have worked with us for many years. Our project leaders are all exceptionally skilled professional musicians and are adept at working within the complexities of the prison system and with vulnerable people. Being constantly challenged to tap into an extensive reserve of musical and personal skills to address complex problems during projects is, however, not for the faint hearted! They are expected to respond to the changing needs and emotions of participants in what can be a highly charged environment, whilst simultaneously being on hand to advise, encourage and assist others with all of the musical aspects of the project including using the instruments, writing lyrics and creating melodies.

 “From the start of every project we show the individuals we work with that we are coming in on a high level. If they see us taking pride in what we do then, they too will take pride. They are offered great instruments to play and great tutors to help them. People instinctively know when they are involved in something of quality,” Sara Lee, Artistic Director

Early in a project, we often witness a tangible and group-wide ‘wobble’ when we talk about the live performance at the end of the week. While understandable, these worries soon dissipate; usurped by the excitement and emotion generated by the project itself. To see the project through to the end and perform their own creations in front of an audience is an incredible mark of achievement for all participants.  Furthermore, a particularly appreciative audience can boost confidence and self-esteem enormously and the experience can provide an emotional resonance that lasts long after the performance is over.

“I’ve felt a lot more confident and less apprehensive of the future since our gig. Sometimes in prison things can start to look bleak, but Music in Prisons has definitely brightened my whole outlook.” Prison project participant

Performances also give peers, other prisoners, prison staff, family, friends and others the chance to experience the new music that has been created. This often includes opening their ears to genres of music that they may not normally listen to. It is often a uniquely developmental experience too, providing an opportunity for the audience to shift their perceptions about where and in whom talent and artistic excellence can be found. The impact of this realisation is often profound. Preconceptions of the participants are challenged – instead they are seen as musicians, artists and performers, capable of creating new, exciting and often beautiful sounds. The audience is often inspired by what the performers have managed to create under such circumstances and within such short timescales.

“I found the whole thing so unexpected and was impressed at the skilled way you supported the performers without upstaging them. They were evidently so happy to be performing and felt such a sense of achievement having done so,” Audience member

Our programmes
There are three main strands to our work:

Music in Prisons

Music in Prisons  – these inspirational projects bring together groups of  prisoners to collaboratively write original songs, form a band, perform live and record an album; all in 5 days. It’s hard work towards a shared goal: projects require participants to demonstrate dedication, bravery, empathy and respect for one another’s ideas in order to succeed; challenging perspectives of the participants themselves, the  prison staff who work with them, and their loved ones on the outside; casting new light on their own capabilities. We also run ongoing Musician in Residence placements in six prisons, which provide weekly music sessions.

“I’ve never seen a programme have such a deep level impact on an individual in one week as the MiP scheme has achieved. The men are so positive about their experience and their increased self-confidence and sense of opportunity and hope for the future is a credit to the powerful effect of talented musicians, music and Offenders who feel that somebody has really given their time and energy to them and believed in them,” Prison Head of Community

Read more about Music in Prisons.

Sounding Out – working with ex-prisoners who we first met on our Music in Prisons projects. Sounding Out  provides further musical training and performance opportunities, as well as guidance into other training and paid work placements on Making Tracks. As support musicians on Making Tracks, Sounding Out participants learn project facilitation skills and act as positive role models, able to  relate the reality of spending time in prison to the young people.

“Being reformed and having a chance to creatively express myself outside is what it’s about for me. I see it as an opportunity to come out and get on with my life but with the music relationships I had inside guiding me. It’s now professional and with an audience!” Sounding Out Participant

Read more about Sounding Out.

Making Tracks programme

Making Tracks  –  targeting young people on the fringes of the criminal justice system. We expand the horizons of NEET (Not in Education, Employment or Training) young people through an intensive workshop week culminating in a live performance to the local community, followed up by a  series of music sessions over 5 weeks. Working in partnership with organisations such as The Prince’s Trust, Praxis, youth groups and youth offending teams in London and Manchester, the young people receive pastoral support and bespoke guidance to further development opportunities.

“At the beginning of this week I was really shy. I’m a really shy person anyway, but this week has really brought me out of my shell; it’s made me so much more confident. I was absolutely buzzing on the night of the gig… I definitely feel like it’s helped me a lot,” Making Tracks participant

Read more about Making Tracks.

Read more about the Lullaby Project here.

The instruments
Central to the projects are the instruments. For every project we use a band set-up which includes keyboards, drum kit plus conga and djembe drums, synthesisers, percussion, acoustic, electric and bass guitars. Participants and project leaders will often utilise their own instruments too, so listeners will often hear the sound of a mouth organ, bagpipes, clarinet or saxophone blended into the mix. We try to ensure, though, that the instruments used are those that a novice musician might be able to pick up and learn to play, to an extent, over the course of the project.

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